Chapter One: Branding Brilliance

A highly informative and entertaining expose of how to create your public image and turn yourself into an icon.

Chaired by the wonderful Margaret Hamilton.  Here are her introductory points:

Branding is the deliberate and skillful creation of an  marketable identity

It should:

  • Create audience knowledge
  • Create a unique identity
  • Have passion
  • Have consistency
  • Be competitive – constantly strive to improve itself, need hard work
  • Get exposure, with more tools than ever before available eg social media
  • Have good leadership, whether as single individual or company
  • How does your brand measure up?

Next speaker was Holly Frendo, Publicity Manager at Harper Collins. She’s only been in this role for 8 months. Not traditional publishing background – BA in Business/Communications and PR, with clients like Cadburys! But was always an avid reader – very excited to be in this new role. Her role: To create awareness and shift perception

She employs different techniques for different genres and author histories. These include:

  1. Author tours are incredibly successful – festivals, conferences, schools etc
  2. Book sellers, signings, meet and greets. Makes a big difference when sellers meet authors – promotes sales and brand recognition
  3. Press releases – features , reviews, interviews. Finding newsworthiness. (Susanne G. one of her faves in this regard. She got Susanne onto Today Extra for the recent Action Day Against Bullying.)
  4. Think outside of box – what does the book relate to?
  5. Social media - FB, Snapchat, Instagram – inspires brand love – DYI or get help if you find it challenging.
Photo attributed to Oliver Phommavanh

Photo attributed to Oliver Phommavanh

Next came Valerie Khoo, Director of Australian Writers Centre and co-creator of ‘So you want to be a writer?’ podcast. Her points:

Get over your hesitancy and cringe re building brand – the feeling that you ‘have tickets on yourself’. Don’t think of it as promoting yourself – it’s all about making a connection with your readers, or potential readers. Making genuine connections rather than promoting yourself.

You need to go all in, not half arsed! Embrace it all. Very easily done in not a lot of time. Open yourself up to it – reach potentially millions readers for free.  Keep making connections after your initial publicity period. Pick the one or two social media channels you enjoy and can do yourself.

Can seem daunting, but follow a step by step formula.  It actually works. One hour every weekend is enough to set your foundations.

'Show elements of your personality, not your personal life.'

Scheduled presenter Sandy Fussell was ill, so joint co-founder,Jodie Wells-Slowgrove from The Story Crowd kindly filled her place. Her points:

Let people see YOU and what makes you unique. Find your niche, and branding will take care of itself.

Created Writers Unleashed Festival, a space where authors and illustrators can make lasting connections. Book sales, signings and craft activities. Making it easy for new creators, and teachers and teacher librarians. Creators paid fairly but kept busy. Networking opportunities.  They love to help book creators.

Next came Sophie Masson

‘Lots of hats’  ‘Too many balls in the air’ – writing, publishing and doing PHD, plus a lot of chairing! She’s written more than 60 books, including for adults.

She did a lot of reading before she was published, did articles, stories in School Magazine. She also interviewed people whose work she admired. All quite instinctive.

She started her publishing company Christmas Press 3 years ago – all her years’ of writing experience, networks etc came together. They’ve had fantastic support and encouragement. Small, but they do things properly, Can only afford tiny advances. Trust so important in their operations – dealing with authors fairly. Quality paramount. They have big publisher quality. Distinctive niche. All 3 directors interested in fairy tales and legends. They hold their nerve, even if one book doesn’t do well. This applies to both creators and publishers

Then came Belinda Bolliger, Managing editor of Australian Standing Orders

Iconic brand. She reiterated Margaret’s points for branding success.

She makes the selections from publisher submissions every month. Audience is schools – time poor and understaffed. Helps them with expert literature selection. Teacher notes are supplied.

  • Consistency – chooses style and quality of book suitable for CBCA awards.
  • Uniqueness – 95% of books are Australian. This is their difference to their competitors.
  • Small team – very approachable.
  • They source books that are difficult to access – their brand is competitive and personable.
  • Very good at picking CBCA shortlist
  • Passion – Belinda’s worked for 25 yrs in the industry
  • Company owned by Scholastic with its over 45 yrs experience

Margaret Hamilton then spoke about Pinerolo Cottage, herchildren’s book cottage in Blackheath where she runs picture book courses among other things; promoting illustrators primarily.

Her father taught her that ‘Everyone is as good as you but nobody is better’

She’s always made her presence felt and has worked extremely hard. (Once had a board meeting in hospital room!) She carried this philosophy through when she started her own company. Went to Bologna every year.

And finally she’s a published author! Never had the guts to send in a manuscript before. Margrete Lamond at Little Hare got back to her with a yes 5 mins later!!

B is For Bedtime has gone ballistic – 60000 copies in US. Second book to be launched in May.

Question time:

  • Authors and illustrators should follow the same principles for branding . Great social media platform for illustrators is Instagram. Judith Rossell a great example of this. She never ‘sells’ as such – she simply makes great personality connections.
  • Stylefile incredibly helpful to illustrators, and an honour to be selected.
  • Lesley Vamos works Facebook really well.
  • Character branding vs author branding – which one to pursue? Depends. For example, Liz Pichon presents as character Tom Gates rather than herself. Her character’s brand in other words.
  • Sophie Masson did romantic fiction for YA under diff name – all the characters had social media presences – one had blog, one had YouTube etc. Extended the life of the characters. But you have to think about it carefully. Can be quite spooky!
  • Belinda was asked whether she thinks about gender diversity, cultural diversity etc. Yes, she likes to support new authors and publishers as well. But limited by what’s being published that month. Books for boys and girls. Relies on publishers to have the right agenda.

Margaret – Kids’ books now 32% of sales as distinct from 25% a few years ago – they should have equal review space.

She mentioned her next course at Pinerolo this coming Saturday on creating kids’ books with Freya Blackwood – see website.

Phew – a very full session!!

Charlotte Calder Roving Reporter

#SCBWISyd

Chapter One: Behind the Book

MC Carolyn Goodwin and Louise Parks

MC Carolyn Goodwin and Louise Parks

In a splendiferous and fantasmagorical event, Louise Park - author, educator, publisher and publishing consultant - took SCBWI Members through a one-hour whirlwind session entitled BEHIND THE BOOK. The session was designed to make it easier for authors and illustrators to navigate the publishing process and was jam-packed with useful information about what happens to a manuscript when it goes to a publishing house.

With an enthusiasm and excitement for the industry that was only matched by her impressive dance moves at the SCBWI Dinner later that night, Louise talked about distribution channels, the importance of sales data and exactly what happens to a manuscript when it goes through the acquisitions process. She gave a truly fabulous overview of the costs involved in bringing a book to life and I'm sure I was not the only one surprised by the level of financial investment involved. No wonder publishers take time to consider each manuscript carefully before committing!

Book Production and Overhead costs. It takes approximately AUD $100,000 to take an idea to the shelf

Book Production and Overhead costs. It takes approximately AUD $100,000 to take an idea to the shelf

My big takeaway from the session was the importance of thinking about where a manuscript fits in the marketplace even before it is submitted. Questions to ask include:

  • What is my target audience?
  • What other titles might the reader of my book read?
  • What is my point of difference?
  • How might someone discover my book?

These questions will be asked during the acquisitions process anyway, so there is the potential to strengthen the submission if these issues are addressed by the author in the cover letter. Most importantly, it will give authors a clearer understanding of exactly where their manuscript fits within the current publishing landscape and give them an opportunity to refine their work until it is simply irresistible! Then we can get on with the important work of signing those contracts and celebrating.

A collective example of the four channels which will eventually sell your book: Discount bulk sellers, Chain stores, Indie Book shops, and Online. Not forgetting the ubiquitous school Book Fairs and Clubs.

A collective example of the four channels which will eventually sell your book: Discount bulk sellers, Chain stores, Indie Book shops, and Online. Not forgetting the ubiquitous school Book Fairs and Clubs.

Louise has a variety of websites for you to explore.

Author website: http://www.louisepark.com.au/

Book packaging and publishing: http://www.paddlepoppress.com.au/

Consulting: http://www.storiesinc.org/

Karen Collum Roving Reporter

#SCWBISyd

 

 

Meet the Team # 6

Well me lads and lassies, we have just about worked our way through our marvellous motley crew. In my view, they are all best, but someone had to go last. These two personify talent and drive. So as our good ship glides ever closer to Sydney shores, settle back and meet the last two of our Roving Reporter Conference Blogging team, Rachel Noble and Sheryl Gwyther.

Rachel Noble

Rachel Noble

Rachel Noble

Rachel is a picture book writer, committed to writing stories that delight, comfort and give children wonderful dreams. Fortunately for her, she has four wonderful children to try them out on (the best focus group ever).  Rachel has her first picture book under contract with New York based press, Enchanted Lion. FINN’S FEATHER (inspired by her late son Hamish), is about a boy who finds a feather and believes his brother (in Heaven) has sent it. The feather becomes a symbol of his love and grief. Soon, he starts to play with feather and it becomes an object of joy and ultimately, hope. This book is slated for US Fall, 2017.  She’s excited about her trip to New York straight after the SCBWI conference. 

Rachel is an ex- ABC radio producer and journalist and has loved telling stories her whole life (some true, some not-so-true).  Her ambition is to keep writing children’s stories that make a difference and to continue to her honour her son through her work.  She lives on the Sunshine Coast and is proud to be a part of the new Sunshine Coast sub-branch in Queensland, headed by Aleesah Darlison. 

You can read more about Rachel, here.

 Is this your first SCBWI Conference?

Yes and I’m terribly excited about it. Writing can be such a lonely business, so meeting with others who don’t glaze over when you start talking about writing is thrilling!

What is the most memorable (SCBWI) Conference experience you’ve had to date, or hope to have?

I expect to have a wonderful time connecting with names and faces I’ve only ‘spoken' to online. I will be child-free, so I am looking forward to kicking up my heels (in a responsible manner!) at the Opening Dinner.

As a creator in the Kids Literary Industry, what do you want to be best known for?

I write from the heart. As my own distinct voice begins to develop, I realise I want to write books that matter (in a non-diadactic way).

Name one thing you cannot live without.

One thing? Surely you mean three things!  Apart from the obvious (family, friends etc.), I can not live without my notebook, MacBook and my memories. Without these things, I am nothing. 

Sheryl Gwyther

Sheryl Gwyther writes children’s novels, school plays, short stories and chapter books, and flash-fiction for adults. Many of her short stories and plays appear in The School Magazine.

Sheryl Gwyther

Sheryl Gwyther

Sheryl’s awards include two ASA Mentorships and two May Gibbs Children’s Literature Trust Fellowships. A SCBWI International Work of Outstanding Promise Grant for her mid-grade historical adventure, Sweet Adversity made Sheryl the first non-American to win this award.

As SCBWI ARA for Queensland and a former director on the Board of the Australian Society of Authors, Sheryl is a passionate advocate for children’s literature.

See how passionate she is, here.

Is this your first SCWBI Conference? If not how many have you attended, where?

This is my 4th SCBWI Conference. The first, in 2010 was amazing and I was hooked. Meeting, for the first time writers and illustrators, many of whom have become my dear friends; and actually talking to publishers is something one never had the chance to do back then. Another highlight was meeting Susanne Gervay and her wonderful, Hughenden Hotel. What a splendid home and backdrop it was for us over the past conferences – we will miss her beauty and history.

But onwards and upwards! This year at the Menzies Hotel will be brilliant. We could meet in an outback shearing shed and it would be just as fabulous! Why? Because we are part of the SCBWI Tribe. And when the Tribe gets together, the world of children’s books zings!

What is the most memorable (SCBWI) Conference experience you’ve had to date, or hope to have?

My most memorable experience at a SCBWI Conference? Pitching my JF novel, Fangus Fearheart (aka Fearbottom) at the 2014 Conference. I was a bit nervous standing up in front of 250 people, including a fabulous line-up of publishers and agents (like Lisa Berryman!) But it was an amazing experience, and very good pitching practice. Excellent feedback too!  So gird your loins and your lions of courage, folk. I hope you get the chance to do it too!

As a creator in the Kids Literary Industry, what do you want to be best known for?

I'd love to be best known for fabulous short stories for kids (love this genre to bits!), and the real love of my life, capturing history and fascinating characters in my two work-in-progress novels. I promise you will love these feisty girls!

What’s the one thing I can’t live without, Dimity? Writing, of course. Storytelling! Creating things, whether in words or art. And music! How could one live without music? Especially Antonio Lucio Vivaldi! Such genius. Of course, I couldn’t live without my family. And my close friends from the world of children’s books. And exploring the world. And… oh, sorry, Dimity … you said ONE thing, didn’t you? There I go, breaking rules again.

Ah Sheryl, some rules are made to be broken!

Sheryl forgot to mentioned she is also this captain's best mate, as inright-hand-man, following her enthusiastic leadership of our Roving Reporters team in 2014. Looking forward to working together again!

Meanwhile, keep your eyes peeled for one final Meet and Greet instalment next week.

Till then, Rove you later!

Dimity

#SCBWISyd